Categories
Essay

Babylon, We Bid Thee Farewell

This essay appeared in Prodigal Press, a Provo alternative media collective, on November 30, 2023. (Instagram here; forthcoming on prodigalpress.org.)

The first time I saw the stars was in the back of a pickup truck full of shoeboxes, together with a gang of teenage boys with whom I shared maybe fifty words of vocabulary, tops.

I say “first time” because there’s a difference between looking at the stars in suburban Utah and seeing them from a Pacific island with no suburbs to speak of. It’s worth the trip just to exist under the Tongan night sky on a clear day, when the stars are half of everything, and look up. Here, they’re bright: not faint little painted dots on a faded canopy but real twinkling lights, the brightest ones nearly falling out of the brilliant canvas and into your lap. The sky isn’t black. That’s the thing. When you get far enough out of the city, monochrome black becomes celestial patterns of silver and gray stretched out like streamers, and it starts to make sense what they meant when they said God created the heavens and the earth, two halves, one to live on, the other to scatter myths and heroes across.

As for the shoeboxes, Siosefa stopped the truck to pick them up at his wife’s boutique in town. I’m not sure why. Siosefa spoke decent English, but the conversation about the shoeboxes was in lea faka-Tonga, and it came as a surprise when the other boys started throwing the empty cardboard into the bed of the truck on top of me. And as for the boys, none of them were actually Siosefa’s: some were nephews, and most were neighborhood kids whose dads were in prison or who didn’t get enough to eat at home. Siosefa was the neighborhood bishop, and tonight his sacred duty consisted of taking the boys to town so we could eat fried chicken and sprawl out on the steps of the ANZ Bank and ride up and down a hotel elevator for no discernible purpose, except that the boys were having fun and this was preferable to gang activity. The other American researcher rode in the cab, so he was warmer than I was, but he missed the kids and me putting the shoeboxes on our heads and also the stars, how they gestured at meaning in some heavenly language: a colossal Rorschach test of heroes who grew up and ran away from home and fought monsters on tropical islands.

The other important thing is that I’m Episcopalian—which wouldn’t have been important had it not been important to my host family, particularly Siosefa’s father. We’d scarcely finished our first conversation in his upstairs family room when he asked, “You know gospel?” and his eyes caught fire and he explained Joseph Smith and the Book of Mormon and modern-day prophets. His upper lip, like his weathered fingers and toes, was swollen and curled so that when he spoke in subjects and verbs that did not agree it was as if he were speaking through cotton. But I understood every word, because there was a time when I myself had been a Latter-day Saint missionary who knocked on doors and sat on strangers’ couches to give that same explanation. That time was now two years in the past, nearly a tithe of my life, and as I could hardly explain in verbs like come, play, eat how and why and where my childhood faith had come to fit like a glove with two thumbs and not enough fingers, I told the closest thing to the truth that I could and became Episcopalian for a month.

I did not often see the stars while staying in that proud house: two stories where the neighbors had only one; a cinder-block fence, almost finished, with rebar leaning against it; cavernous windows and doorways without doors; a canopy for the van in the puddled yard full of pigs and chickens. More often I saw glimpses of childhood, like the Ko e Tohi ‘a Molomona on the patriarch’s unmade bed, as shabby and written-in as my father’s; the hyperactive kids that would have made admirable Boy Scouts; and the Del Parson painting of Jesus torn from a magazine and pinned to a stern, yellowed column, whose eyes followed you no matter where you stood in the room, according to Sunday School lore.

It was not merely that these things were there but that they would not leave me alone. One night I took out the ukulele that had filled half my suitcase and played for a rapt audience of boys who gazed at my performance like I was Homer or Harry Styles, even though I’m not much of a singer, and all the songs that sounded happy were just sped-up breakup songs. During intermission the kid who’d been sitting on the arm of my chair brought me the Latter-day Saint hymnal from his grandfather’s bed, opened to the song that got sung every other week in men’s meetings in Morgan, Utah, because it’s the only hymn that doesn’t go higher than a C. I could have said no, I don’t recognize it, but Episcopalian be damned, I was muse for the evening, and the least I could do was play a request that I actually knew. It was my turn to sing in a broken tongue, but the kids carried the tune well enough, and I knew the English translation: “O Babylon, O Babylon, we bid thee farewell. We’re going to the mountains of Ephraim to dwell.”

We soon left that house and its hospitality; two weeks later was the first night I ever slept on concrete. Half our research team spent the night on a fishing boat while the rest of us spent the night in a Latter-day Saint church on a tiny island that only had electricity around sunrise and sunset, slaughtering bugs that got too close to our sleeping bags. Silence, silence, then BANG—the echo of shoe on concrete.

Late that evening, I got talking with Grace on the steps of the outhouse. She’s an anthropologist, like most of our team, but she said she almost picked religious studies. This despite only having been to church once, which between the crucifixion and the chanting had been a frightening experience for a child of an agnostic union. But she’d always been interested in the reasons people believe, and, she said, “I’m honestly really scared of dying.” We chatted for a while about hope and hunger and Harry Potter, and when we stood up to go back into the church, she suddenly froze, her head tilted up to the night sky, and said, “Wow.”

“They’re really something, aren’t they?”

Science has it that they’ve been shining since long before I was a child, and all the light we’re seeing now is light-years and light-years old. But you can’t see all that history—only the feeling of immensity and triviality all at once, and the certainty that there’s some meaning in it. I wondered if one of those stars really was closest to the throne of God. If he were hiding somewhere, it would have to be here, between the stars so dense that they formed rivers and seas and oceans of light. But hearing no voice from the whirlwind, I looked for Orion instead. They say he spends his summers here, hanging upside down by his tail like a monkey.

When I left Tonga, the sky was back to the way it had always been: bleached-out, suburban, secondhand. Orion was face up again. These days, I go to the Latter-day Saint church sometimes and the Episcopalian church sometimes, but in truth, I would rather spend my Sunday mornings back under those vast heavenly lights. There are days when I walk out of church and look up at the daytime sky, and I marvel at how much beauty has always been there, hidden by the garish sun and, at nightfall, the artificial lights of Babylon. ∎

Categories
Event Report

Redefining the Sacred: Utah’s “Rock Church”

From the outside, the evangelical Protestant church in Draper, Utah, did not look much like the churches I was accustomed to. For one thing, it lacked a steeple; its squat square shape would have been more reminiscent of a doctor’s office or company headquarters, if it were not for the large lettering on the side that proclaimed the building as “The Rock Church” in a modern sans-serif, beside a logo made up of the letter R and a stylized cross. The building’s foyer seemed to me a hybrid of a movie theater and a sports arena, and I wandered for a few moments, lost, finding my bearings.

Unbeknownst to the relaxed churchgoers all around me, the redhead in the colored button-up shirt standing between the sound booth and the plates of bread and wine had intruded into a completely unfamiliar world. Not knowing whether the large auditorium should be treated more like the traditional chapels I was familiar with or the Plain White T’s concert I had attended when I was thirteen, I settled for sitting quietly on the third row and observing those around me as they wandered in, trusting the principle that one can learn much about an event from the faces of those in attendance. Outside, friends had greeted one another warmly and chatted excitedly on the sidewalk, evincing a level of familiarity to which I was an outsider. After the countdown on the giant television screens reached zero and the band invited us to stand as they launched into their first piece, I looked around and noted the reactions of others in the congregation. Most swayed back and forth gently, several waving an arm in the air as they felt the music (a welcomingly familiar emotion given my own background as a musician), some sipping coffee and talking quietly to one another.

Indeed, as the service continued, I noticed more and more features that stood in defiance of traditional fixtures of worship, the first being the time-honored relationship between volume and reverence. The symbols of priesthood and authority were likewise absent, and I was at a loss for what title to apply to the man who spoke to the congregation between songs. Was he the pastor? A priest? The lead singer? Categories that I had accepted as either sacred or secular were blurred and combined, and nowhere was this more evident than during communion, which followed after the initial band performance of about half an hour. The guitarist remained on stage, playing a simple, atmospheric line with a contemplative, pleasant, and ethereal mood as the traditional bread and wine were distributed. Then a man (whom I realized was the actual pastor) said a rhythmic prayer from the stage, not like the chopped melodic line of a Lutheran priest during mass, but rather like the accompanied recitation of a poem, a spoken petition to God that seemed magnified, enhanced, and even answered by the peace of the background melody.

The explanation for this redefinition of sacred categories came in the pastor’s sermon. He displayed an image of a hippie bus on the screens (“Not the real bus,” he commented, “I just looked up ‘old bus’”) and narrated how a group of “Jesus hippies” drove from campus to campus and preached in the 1960s and 70s. The pastor’s father encountered them, converted to Christianity, studied as a pastor, and “planted” a church that led to the founding of over 30 more churches, including The Rock. The point, this second-generation pastor explained, is that “God is on the move,” and He can use whatever he wants for the gospel’s sake. With that explanation, suddenly the hippie bus was more than a Google Images stock photo—it was a sacred object. And suddenly, the presence of all the accoutrements of a contemporary rock band in a church was no longer so strange. The pastor’s words carried far beyond a hippie bus; if God is on the move and uses anything and everything for the gospel’s sake, then that also included, in this particular instance, two guitars, one keyboard synth, one drum set, and one full sound crew.

The band closed the service with an energetic piece that took its refrain from John 3:16, “For God so loved the world…” though it was a different lyric that remained with me long after the service had ended: “Taste of His goodness / Find what you’re looking for.” Those words of John 3:16, that God so loved the world that He gave His son, have spread in innumerable ways since the first century—they have been read with wonder in Roman villa house-churches, recited in Latin from pulpits ornamented and plain, copied by the pens of countless monks, printed in ink by Gutenberg’s press, carried by missionaries to unknown lands, publicly proclaimed by itinerant preachers, sung from a millennium of hymnals. In The Rock Church, the twenty-first century’s new collection of sacred objects was on full display in all its aural amplitude, and the peaceful chatter of the congregation testified that among the fold-up chairs, the electronic buzz of amped-up guitars, the tithing box labeled with a Venmo address, and the aftertaste of timeless sacramental wine, this diverse group of worshippers had found what they were looking for. ∎

This article was written for a humanities course at BYU. I anticipate writing a series of articles about different events in the community.

Categories
Personal Update

Culture Shock

THE CHANGES THAT accompany a visit to a foreign country are disorienting yet expected. From the get-go, you know that there are going to be differences, so you brace yourself for them. Paid public toilets? Sure, that’s part of the deal. Colorful money and coins with holes in them? We’ll run with it. No idea what everyone around you is saying? Welcome to Denmark.

     On the other hand, the shocks that come from being back “home” after time abroad are abrupt and comical. It’s the extra weight of a church hymnal that has twice as many pages as you’re used to. It’s all the extra space between countryside houses. It’s the @quotation mark@ key being in the wrong place on the keyboard. It’s remembering how to work a shower with only one knob for both volume and temperature.

     It’s not an intense or deeply meaningful feeling. It’s just a little pause where newness interrupts an otherwise familiar reality–sometimes very literally, like exiting a bathroom for the first time and having to turn the knob a full 90 degrees because it won’t open at 45 like you’re used to.

     Once in a while, though, it does hit hard. The unfamiliarity builds up to a strange loneliness, a sense that you don’t belong in a place that you should be used to.

     I wonder if you get those moments too: moments of being home, but not. Even if you haven’t been traveling. Sometimes they come and go, leaving that same sense of being in a place where you don’t really belong. Wanting to find the place where you belong. Perhaps it’s a universal longing:

     “[The Old Testament patriarchs] all died in faith, not having received the promises, but having seen them afar off…and confessed that they were strangers and pilgrims on the earth. For they that say such things declare plainly that they seek a country.

     “And truly, if they had been mindful of that country from whence they came out, they might have had opportunity to have returned. But now they desire a better country, that is, an heavenly: wherefore God is not ashamed to be called their God: for he hath prepared for them a city.” (Hebrews 11:13-16, KJV)

     The first kind of out-of-place feeling is surely temporary. Within a couple more years, I reckon American things and mannerisms will be second-nature to me again. But the second is a more permanent longing. Some call it religion. Others, philosophy. I suppose I’m one of those strangers and pilgrims who have felt their lives interrupted by that divine newness of culture shock in a world where they don’t truly belong, and who look for “a better country”: something better than this material world. Something higher.

     Don’t we all want something higher?