Categories
Personal Update

Christmas Card 2023

Dear Auna and Ben,

I don’t know about you guys, but the older I get, the more elusive the Christmas spirit becomes. As a kid, it was always automatic; Christmas morning was the most exciting day of the year by default. Now I have to work for it. I put in my best effort this year, though. Sure, there was rain instead of snow, but there were also Christmas lights in downtown Provo, Christmas concerts and choirs, Bible readings, gingerbread houses, parties with friends new and old, gift deliveries to neighbors, and cozy hours with family. A picturesque holiday, all things considered. Young adulthood is weird.

Okay, but have you seen the movie Klaus? I recognize that I’m four years behind the times on this one. My friends were all saying “This is the best Christmas movie ever made,” and they finally sat me down to watch it. And you know what? It is the best Christmas movie ever made.

2023 felt like four years packed into one. Maybe I need to start counting the seasons instead of the years. I can hardly even remember this January. Spotify tells me I was listening to lots of The Killers and The Airborne Toxic Event at the start of the year, so that’s the main thing, I guess. I took plenty of linguistics classes during the winter semester, survived some drama with an ex-girlfriend and the Celtic folk band, and went through all-around character development. Emotionally, I’m definitely in a better place than last year.

The big flashy highlight of the year was my summer travel to Tonga and then to France. I’ve done summer school every year since I started school, so I finally gave myself a break. Tonga was for some ethnographic research with anthropological researchers from the University of Utah (I wrote a little about it in this essay), and France was to play at some folk music festivals in the southeast (you can read about my nap in Charles de Gaulle here). It reminded me of how much I love traveling. So if I vanish next year, just assume I’ll turn up as an Irish sheepherder sometime in 2030.

What else did I accomplish this year? I asked out a really cute Walmart cashier (!) and we went on a date (!!). I found two new favorite books from opposite sides of the genre spectrum: Stargirl by Jerry Spinelli and the Wolf Hall series by Hilary Mantel. My Japanese got good enough that I can finally read simple texts (and more importantly, play Fire Emblem: Three Houses in Japanese). I bought jewelry and subscribed to journalism for the first time. My old crush told me that I’m fun at concerts. I got a lot better at singing! I took a creative writing class and got a lot better at that too, and I started writing a novel (!!!) that I promise I’m actually going to finish. No, seriously. Hold me to it.

I’m serious about watching Klaus. It’s a fantastic movie. Let me know your recommendations, too. I’m always in the market for good movies and music.

Love you guys. Keep in touch,

Eric

Categories
Short Fiction

Why He Looked Back

The fire danced to the tune of the boy’s guitar. He was only a boy, it was true, if you measured him in years. The sounds he played were much older. They were ancient songs with ancient suspensions and ancient resolutions. It is true that there are no new harmonies.
    “Why did you look back?” you asked.
    The boy, Orpheus, stopped playing. He repeated your question. “Why did I look back?” The fire crackled. You felt ashamed for having asked.
    But he seemed willing to speak. It was almost like he’d been waiting for someone to mention the story.
    “Did you ever meet my wife, Eurydice? She was beautiful. The kind of beauty that makes you look once, and when you look away, you have to look again to make sure that your mind didn’t make her up. When she died, I thought I would never look at her again. I thought I would have to keep making her up every morning. I was in love with a ghost, those days.”
    He closed his eyes as he spoke.
    “I tried to look past her. There are many other women in the world. ‘Look around,’ I told myself. But although many women were charmed by my music, the music stopped the moment I looked at anyone else. Eurydice was fate, and I was bound. She was the sun to my waxen moth’s wings. I could not look away.
    “I think the wind became weary of my mournful songs. It must have thought, ‘What a pitiful man! Other men have accepted that their lovers may die. Most have found new love. Some have killed their own love on purpose.’ But I refused. ‘Is there no way to see her again?’ I asked it.
    “‘You could die,’ the wind suggested. The wind can be quite blunt.
    “‘Is there no other way?’ I asked.
    “And the wind said, ‘You could walk.’
    “Before I left to travel to the underworld, I did not look back to see the world of the living. I set sail, and the farther and deeper I got on my journey, the less I could remember. It was like I had never once seen the world. If you had asked me to name how many points are on a maple leaf, I could not have. Nor which direction the grain runs on my piano stool. Nor the differences in color between the coals in a fire that still glow and the ones that have gone out. Shut your eyes! Can you remember what they look like without looking? If you cannot, then look and remember now. You will not see them again in the land of the dead. I myself had forgotten everything. I had expected them to be immortalized in my memory, but there was no such thing.
    “So I reached the underworld. I played my songs about what I could no longer see. I brought the maple leaves and the grains of wood and the coals of fire and my beloved. And though they were not quite true anymore, they were new to the god of death, and they pierced his heart with life and passion, and he realized that neither I nor Eurydice could remain with him.
    “I was told that I could leave the underworld with Eurydice, on the condition that she walk behind me. If I looked back to make sure she was following me, she would not be allowed to leave. She would die a second time.”
    He ended the story there, and you did not need to hear him repeat what happened. It seemed cruel to speak, so you waited.
    “Have you ever acted in spite of yourself? You promised yourself that you would change for good this time. But a week passed, and you found that you were the same person. Or you buried a grudge, and it stayed buried until you saw your enemy, and you found that he was still your enemy.
    “I went to death and back, and I was still the same person. I don’t believe death ever changed a person. Childrens’ diaries are not so different from their grandfathers’, or their grandfathers’ grandfathers’. But I wanted to change. I wanted to remember the leaves and the wood and the fire and the fish and the deer and the buildings and towns I’d left behind and the face of my Eurydice and make it immortal. The most precious things, you want them forever.
    “I was afraid. I didn’t want to be the kind of person who doesn’t look back.”
    He played an arpeggio, hammer-on, pull-off, something minor or Mixolydian. He was looking back. You were too. ∎

Categories
Essay

Babylon, We Bid Thee Farewell

This essay appeared in Prodigal Press, a Provo alternative media collective, on November 30, 2023. (Instagram here; forthcoming on prodigalpress.org.)

The first time I saw the stars was in the back of a pickup truck full of shoeboxes, together with a gang of teenage boys with whom I shared maybe fifty words of vocabulary, tops.

I say “first time” because there’s a difference between looking at the stars in suburban Utah and seeing them from a Pacific island with no suburbs to speak of. It’s worth the trip just to exist under the Tongan night sky on a clear day, when the stars are half of everything, and look up. Here, they’re bright: not faint little painted dots on a faded canopy but real twinkling lights, the brightest ones nearly falling out of the brilliant canvas and into your lap. The sky isn’t black. That’s the thing. When you get far enough out of the city, monochrome black becomes celestial patterns of silver and gray stretched out like streamers, and it starts to make sense what they meant when they said God created the heavens and the earth, two halves, one to live on, the other to scatter myths and heroes across.

As for the shoeboxes, Siosefa stopped the truck to pick them up at his wife’s boutique in town. I’m not sure why. Siosefa spoke decent English, but the conversation about the shoeboxes was in lea faka-Tonga, and it came as a surprise when the other boys started throwing the empty cardboard into the bed of the truck on top of me. And as for the boys, none of them were actually Siosefa’s: some were nephews, and most were neighborhood kids whose dads were in prison or who didn’t get enough to eat at home. Siosefa was the neighborhood bishop, and tonight his sacred duty consisted of taking the boys to town so we could eat fried chicken and sprawl out on the steps of the ANZ Bank and ride up and down a hotel elevator for no discernible purpose, except that the boys were having fun and this was preferable to gang activity. The other American researcher rode in the cab, so he was warmer than I was, but he missed the kids and me putting the shoeboxes on our heads and also the stars, how they gestured at meaning in some heavenly language: a colossal Rorschach test of heroes who grew up and ran away from home and fought monsters on tropical islands.

The other important thing is that I’m Episcopalian—which wouldn’t have been important had it not been important to my host family, particularly Siosefa’s father. We’d scarcely finished our first conversation in his upstairs family room when he asked, “You know gospel?” and his eyes caught fire and he explained Joseph Smith and the Book of Mormon and modern-day prophets. His upper lip, like his weathered fingers and toes, was swollen and curled so that when he spoke in subjects and verbs that did not agree it was as if he were speaking through cotton. But I understood every word, because there was a time when I myself had been a Latter-day Saint missionary who knocked on doors and sat on strangers’ couches to give that same explanation. That time was now two years in the past, nearly a tithe of my life, and as I could hardly explain in verbs like come, play, eat how and why and where my childhood faith had come to fit like a glove with two thumbs and not enough fingers, I told the closest thing to the truth that I could and became Episcopalian for a month.

I did not often see the stars while staying in that proud house: two stories where the neighbors had only one; a cinder-block fence, almost finished, with rebar leaning against it; cavernous windows and doorways without doors; a canopy for the van in the puddled yard full of pigs and chickens. More often I saw glimpses of childhood, like the Ko e Tohi ‘a Molomona on the patriarch’s unmade bed, as shabby and written-in as my father’s; the hyperactive kids that would have made admirable Boy Scouts; and the Del Parson painting of Jesus torn from a magazine and pinned to a stern, yellowed column, whose eyes followed you no matter where you stood in the room, according to Sunday School lore.

It was not merely that these things were there but that they would not leave me alone. One night I took out the ukulele that had filled half my suitcase and played for a rapt audience of boys who gazed at my performance like I was Homer or Harry Styles, even though I’m not much of a singer, and all the songs that sounded happy were just sped-up breakup songs. During intermission the kid who’d been sitting on the arm of my chair brought me the Latter-day Saint hymnal from his grandfather’s bed, opened to the song that got sung every other week in men’s meetings in Morgan, Utah, because it’s the only hymn that doesn’t go higher than a C. I could have said no, I don’t recognize it, but Episcopalian be damned, I was muse for the evening, and the least I could do was play a request that I actually knew. It was my turn to sing in a broken tongue, but the kids carried the tune well enough, and I knew the English translation: “O Babylon, O Babylon, we bid thee farewell. We’re going to the mountains of Ephraim to dwell.”

We soon left that house and its hospitality; two weeks later was the first night I ever slept on concrete. Half our research team spent the night on a fishing boat while the rest of us spent the night in a Latter-day Saint church on a tiny island that only had electricity around sunrise and sunset, slaughtering bugs that got too close to our sleeping bags. Silence, silence, then BANG—the echo of shoe on concrete.

Late that evening, I got talking with Grace on the steps of the outhouse. She’s an anthropologist, like most of our team, but she said she almost picked religious studies. This despite only having been to church once, which between the crucifixion and the chanting had been a frightening experience for a child of an agnostic union. But she’d always been interested in the reasons people believe, and, she said, “I’m honestly really scared of dying.” We chatted for a while about hope and hunger and Harry Potter, and when we stood up to go back into the church, she suddenly froze, her head tilted up to the night sky, and said, “Wow.”

“They’re really something, aren’t they?”

Science has it that they’ve been shining since long before I was a child, and all the light we’re seeing now is light-years and light-years old. But you can’t see all that history—only the feeling of immensity and triviality all at once, and the certainty that there’s some meaning in it. I wondered if one of those stars really was closest to the throne of God. If he were hiding somewhere, it would have to be here, between the stars so dense that they formed rivers and seas and oceans of light. But hearing no voice from the whirlwind, I looked for Orion instead. They say he spends his summers here, hanging upside down by his tail like a monkey.

When I left Tonga, the sky was back to the way it had always been: bleached-out, suburban, secondhand. Orion was face up again. These days, I go to the Latter-day Saint church sometimes and the Episcopalian church sometimes, but in truth, I would rather spend my Sunday mornings back under those vast heavenly lights. There are days when I walk out of church and look up at the daytime sky, and I marvel at how much beauty has always been there, hidden by the garish sun and, at nightfall, the artificial lights of Babylon. ∎